The BBC Academy is the BBC’s centre for training. It houses the Colleges of Journalism, Production, Technology and Leadership. It is the central source for articles, videos and podcasts aimed at giving people, external and internal, an insight into how the different parts of the BBC goes about producing its output.
“Immerse yourself in the live transmissions of three young people as they walk through their neighbourhoods in Manchester, telling you about their lives and asking you about yours.”
“In My Neck Of The Woods you participate online. Three young people walk through their neighbourhoods in Manchester, filming themselves as they go. You choose which of the three you would like to have a conversation with, whose questions you would like to answer, who you feel comfortable just being with. Select them and you are dropped into their live video stream. You travel with them as they tell you about their lives and as they ask you about yours.”
The development of the platform for My Neck Of The Woods involved an initial challenge to create an intimate experience between a single broadcasting performer and multiple online viewers/participants. The difficulty in creating an engaged and participatory experience using live broadcast transmissions is something that Blast Theory have tackled in previous work. Working with artists and developers at their studio we devised and built the platform/architecture that gave viewers the opportunity to have a one to one exchange with a young person about their neighbourhood and other topics of importance to them. Outside of the technical platform the projects success was facilitated by a great team of artists and associates from Blast Theory and not least the talented young people in Manchester who were brave enough to engage strangers about personal and intimate topics.
Pictures courtesy of Blast Theory.View Project »
In 2013 the BBC delivered the first ‘truly digital’ Glastonbury. Picture Ltd have been responsible for the previous iterations of the BBC’s event platfrom (EAVIS), which manages live events across the BBC. This year as part of a small team of developers at Picture we built the first responsive front end to EAVIS for use across small screen devices during Glastonbury 2013.
A YouTube channel to accompany a series of adverts broadcast during the X-Factor final ad breaks. At the end of each advert a Twitter hashtag was assigned to each of two potential forks in the narrative. The YouTube channel would visualise the live count of each hashtag and also show the story so far.
After the series of ads were complete the YouTube channel became a site to explore each permutation of the narrative.
This project won the Mobile Site of the Day award from The FWA.View Project »
A product catalogue and interactive narrative during which the user drags and releases frozen characters who crash through walls into a next scene. Extremely high frame rate video was shot for the purposes of enabling this unusually ‘drag and release’ navigation. A Facebook widget was also built for each of the scenes so it could be embedded into the Facebook Timeline.
Read a detailed case study by Stinkdigital.
Flash was used to handle and manipulate high resolution video and create the navigation device. I was part of the development team who created this experience using ActionScript 3 and Robotlegs.
This project won the Site of the Day/Month award from The FWA.View Project »
A Facebook application that analyses your personal information to deliver one of 9,000 possible bespoke animations.
The application scrapes data from numerous different areas of the Facebook Graph API and scores the user against certain criteria to determine a sequence of animations to play (usually including some relevant images or statistics about the user).
Read a detailed case study by Stinkdigital.
The PHP Zend Framework and Facebook’s Graph API were used to perform the user data analysis. Flash and Robotlegs micro-architecture framework were used on the front-end to sequence the animations and add dynamic user specific content.
This project won the Site of the Day award from The FWA.
A sing-a-long / karaoke Facebook application commissioned by Yeo Valley to accompany their TV advert of a spoof boy band ‘The Churned‘, which was aired during the X-Factor final ad break. The user could sing into their microphone and the application would detect pitch and match this against the original score for the song.
The Flash application accesses the users microphone data and uses a C++ library for pitch detection that was cross-compiled to ActionScript 3 using the experimental Adobe Alchemy project. The application was built using the Robotlegs micro-architecture.
A web application commissioned by the Russian telecom operator to show how easy it is to top-up with Beeline. A selection of humorous video clips, choosen based around the users phone number, were sequenced and played through.
Havells Sylvania are a provider of professional and architectural lighting solutions. During the redesign and build of their website I worked with the UVd development team to produce a product finder for the extensive and detailed product catalogue. The product finder provided the user with a method for filtering the product lines by brand, category and product line and also specify to a granular level the values for technical aspects of the products such as lifetime, colour temperature and voltage.
Wabbitware is a critical software experiment. Rather than using a copyleft licenses such as the GPL General Public License to ensure the genealogy (access to source code) of software Wabbitware and any further Wabbits derived from the first compiled iteration carry with and distribute their source code whenever they are executed.
Wabbitware explores the notions of code and its associated practices in domains of the social, legal and technical. Within each software piece is an encoded and embedded subjectivity that raises questions about software’s construction and authorship. Whilst software continues to play a more pervasive role in day to day life it is one aim of this project to enable and encourage a curiosity about these implicitly objective technical assemblages.
It embodies in it’s code the principles of Free Software. “Think free as in free speech, not free beer.” Richard Stallman [link]View Project »
Barni is the official mascot of the European Championships held in Barcelona during 2010. Beat Barni was a button bashing athletics game concept commissioned by SPAR International and developed by Ultraviolet Design. The gameplay involved assuming the role of an athlete taking part in 5 levels/events of increasing difficulty. In each event the aim was to qualify by ‘beating Barni’ who had previously set his own score for each event. The events were 100M, 400M Hurdles, Javelin, Pole Vault and Long Jump.
Players could challenge others through various social media channels including Facebook and Twitter.
The game was developed in ActionScript 3 using the open source game-making library, Flixel.View Project »
After the successful development of the Red Pen Tool (RPT) marking and assessment software, built in 2009, Ultraviolet Design were asked to replicate the digital annotation features for video material from the classroom opposed to digitalised documents.
The RPT Video displays a video stream from a remote media server against a custom timeline that can be populated with text and audio annotations at specific in and out points (down to a 1 second accuracy).
The Red Pen Tool was developed in ActionScript 3. The application interacts with Red5 open source media server to enable audio recordings and retrieves and persists data through a custom third party web service/API.View Project »